Malia/the coyote runs through the woods and stops to growl at the moon. The truth-no matter how profoundly it sucks, the truth is always better than not knowing. It’s the not knowing that ruins people like Tate. SHERIFF: I think you’re going to find it’s just a little bit more complicated than that, Special Agent.ĪGENT McCALL: Come on, Stilinski. Something like the bones of a nine-year-old girl. Agent McCall thinks that, with a little digging, they’ll uncover something. Sheriff protests that there’s no body or remains to identify. Agent McCall says he’s getting confirmation on a more than significant lead and starting to understand why Sheriff’s department can’t close cases. Sheriff follows Agent McCall to the coyote den, asking why he brought Mr Tate to the crime scene. This scarf is in quite good condition for being out in the woods for eight years. Agent McCall is miffed that Scott is running around in the woods this late but there’s no time for a lecture. He sees the scarf in Sheriff’s hands and takes it from him, saying it belonged to his daughter. He’s snapped back to reality by Sheriff’s voice.Īgent McCall drives up with Mr Tate in tow. He imagines seeing Malia, wearing her blue jacket, about to be ripped to pieces by a werewolf. As Sheriff speaks, Scott looks behind him. He doesn’t want anyone, especially Malia’s father, to hear about this. Wracked by guilt, Malia runs off into the woods and eventually becomes trapped inside the body of a coyote. She attacked her mother while she was driving, causing their car to veer off the road and into the ravine, leaving Malia as the sole survivor. Scott and Stiles paint a hypothetical picture for Sheriff: Malia started to shift on the full moon and lost control. He’s still having trouble believing that the coyote was Malia-it was, after all, a four-legged animal and not a two-legged girl. The police set the den up as a crime scene and Sheriff emerges from the den with a scarf. It’s a crime scene, so they call in Stiles’s dad.
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